Dreams Have No Titles, 2022 (set designs)

Film set with lights around bed, wardrobe and sideboard

Set design built for the film Dreams Have No Titles, 2022 and on view in the exhibition
Set Design 1 : From The Battle of Algiers by Gillo Pontecorvo, 1966
Installation view from the exhibition Dreams Have No Titles at the French Pavilion, Venice Biennale 59th, Italy
Commissioner French Institute, Paris & Production ARTER, Paris
Photo credit: Thierry Bal

A film set for a bar/cafe type setting with film lighting

Set design built for the film Dreams Have No Titles, 2022 and on view in the exhibition
Set Design 2 : From Le Bal by Ettore Scola, 1983
Installation view from the exhibition Dreams Have No Titles at the French Pavilion, Venice Biennale 59th, Italy
Commissioner French Institute, Paris & Production ARTER, Paris
Photo credit: Thierry Bal

shelves of film canisters behind a film editing workstation

Set design built for the film Dreams Have No Titles, 2022 and on view in the exhibition
Set Design 3 : From F for fake by Orson Welles, 1973
Installation view from the exhibition Dreams Have No Titles at the French Pavilion, Venice Biennale 59th, Italy
Commissioner French Institute, Paris & Production ARTER, Paris
Photo credit: Thierry Bal

behind the false backing of a set wall a large wooden case is on a wooden stand with a chair either side of it

Set design built for the film Dreams Have No Titles, 2022 and on view in the exhibition
Set Design 4 : From The Stranger by Luchino Visconti, 1967 (Dreams Have No Titles, 2022)
Installation view from the exhibition Dreams Have No Titles at the French Pavilion, Venice Biennale 59th, Italy
Commissioner French Institute, Paris & Production ARTER, Paris
Photo credit: The artist

Spot lit in a corner: 2 dark wooden chairs, one stored upside down on other, and dark wood collapsible frame

Set design built for the film Dreams Have No Titles, 2022 and on view in the exhibition
Set Design 4 : From The Stranger by Luchino Visconti, 1967 (Dreams Have No Titles, 2022)
Installation view from the exhibition Dreams Have No Titles at the French Pavilion, Venice Biennale 59th, Italy
Commissioner French Institute, Paris & Production ARTER, Paris
Photo credit: The artist

living room style film set with shelves full of objects represented by photorealistic wall paper

Set design built for the film Dreams Have No Titles, 2022 and on view in the exhibition
Set Design 5: Way of Life, 2019
Installation view from the exhibition Dreams Have No Titles at the French Pavilion, Venice Biennale 59th, Italy
Commissioner French Institute, Paris & Production ARTER, Paris
Photo credit: Thierry Bal

foreground has stack of old suitcases and typewriters while in background apicture stands on wheeled flight case against a greenscreen background - the scene lit by large film set lights

Set design built for the film Dreams Have No Titles, 2022 and on view in the exhibition
Set Design 6 : Green Screen & Way of Life (Maquette), 2019
Installation view from the exhibition Dreams Have No Titles at the French Pavilion, Venice Biennale 59th, Italy
Commissioner French Institute, Paris & Production ARTER, Paris
Photo credit: Thierry Bal

Paper miniature of a living roomset (complete with paper cutout of person) is seen in close up with green screen as background

close up of Set Design 6 : Green Screen & Way of Life (Maquette), 2019
Installation view from the exhibition Dreams Have No Titles at the French Pavilion, Venice Biennale 59th, Italy
Commissioner French Institute, Paris & Production ARTER, Paris
Photo credit: Thierry Bal

A wall and door as used on film sets - behind a trolley load with set material

Set design built for the film Dreams Have No Titles, 2022 and on view in the exhibition
Set Design 7 : Unfinished Décor, 2022
Installation view from the exhibition Dreams Have No Titles at the French Pavilion, Venice Biennale 59th, Italy
Commissioner French Institute, Paris & Production ARTER, Paris
Photo credit: The artist

dressing room set with table. mirror and clothes rack

Set design built for the film Dreams Have No Titles, 2022 and on view in the exhibition
Set Design 8: Dressing room, 2022
Installation view from the exhibition Dreams Have No Titles at the French Pavilion, Venice Biennale 59th, Italy
Commissioner French Institute, Paris & Production ARTER, Paris
Photo credit: The artist

Close up of mirror and dressing table drawers

close up of Set Design 8: Dressing room, 2022
Installation view from the exhibition Dreams Have No Titles at the French Pavilion, Venice Biennale 59th, Italy
Commissioner French Institute, Paris & Production ARTER, Paris
Photo credit: The artist

band instruments on elevated platform: 3 microphones, 2 guitars and a drum kit

Set design built for the film Dreams Have No Titles, 2022 and on view in the exhibition
Set Design 9 : Rehearsal, 2022
Installation view from the exhibition Dreams Have No Titles at the French Pavilion, Venice Biennale 59th, Italy
Commissioner French Institute, Paris & Production ARTER, Paris
Photo credit: The artist

tapestry on wall shows 6 women in garden direct their attention to woman playing long necked string instrument like a lute. Garden is in North African or Middle Eastern setting with plam trees and minaret towers in background.

Set design built for the film Dreams Have No Titles, 2022 and on view in the exhibition
Set Design 10 : Parents Wall Rug, 2022
Installation view from the exhibition Dreams Have No Titles at the French Pavilion, Venice Biennale 59th, Italy
Commissioner French Institute, Paris & Production ARTER, Paris
Photo credit: The artist

To view a teaser of the film and read information on the overall project, please click here.